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LINDA EVANGELISTA: Who do you most admire?

PEDRO ALMODOVAR: There are many directors I admire: Scorcese, for exemple, and I very much like Tarantino - his films are fantastic. I would like to work with Harvey Keitel and Barbara Hershey, but I would also like to work with you, Linda. You would make a wonderful housewife. There would be no point in casting you as a top model, that would be meaningless. I would like to cast you as a regular sub-urban housewife with problems. You know, with a sexy, beautiful girl like you, the audience wants to see you are human, so I would show your suffering, and show that just beautiful doesn't mean you have no soul or pain.

(Elle 1996, Linda Evangelista interviews Pedro Almodovar)

"I think I will always have a place. I don't think I have to rule or reign but there's a place for me."

"In photos, I don't know who the real me is - it's all pretend, just pretend. There's not much of myself in my work. If I'm looking in the mirror and I'm working, I'm looking at my make-up and my hair. It's not the same as looking at myself."

"I love change, I really enjoy the new models, the new looks but I don't agree that they all need to be a certain size or age. Why can't someone new come along who's 25 or 30. Or 50? When I was young, you could open Vogue and see a range of body shapes. Now the whole editorial section is devoted toone body shape. Maybe that's one person's view. It's not mine."

"I used to look at magazines and I couldn't afford those clothes and I couldn't look like those women. And you know what I found out when I became a model? I still couldn't look like those women, because I'm retouched and I've had four hours of make-up and two hours of hair and I'm pinned and airbrushed and I'm holding a position that my body could never hold in real life and look natural. So even I could never look like myself." (And Linda is laughing when she says this).

"My first booker in Paris, at the very, very very beginning of my career, died of AIDS. It was the first time I had heard about AIDS. Everyone was still quite uncertain about what it was. It was still new. I remember visiting him up until his final days. I've had friends pass away from it, and friends of friends and colleagues, so I've been touched persoanlly and professionally. But really, I'm doing my part because I think it's a global issue. I think everybody has to do something. There is nothing beautiful about AIDS. We still live in a world where the stigma surrounding AIDS is truly ugly. I hope to make a difference."

"It was traditional (Italian), even old-fashioned. When I was a teenager, I had to choose whether to go out on a Friday or Saturday night. Never both. And we always had proper meals."

"No one would ever believe that I was shy. Up on the runway I don't feel that way. I don't feel like they're looking at me. When I'm doing my job, nothing can touch me. I feel protected. It's backstage I feel vulnerable. My anxiety kicks in in social situations."

"I have this great fear of people - not when I'm on the runway, but backstage. In a room full of people, I really suffer. I sort of go into a tunnel and I feel very removed. I get so tense, I can't swallow, and my heartbeat goes way up. It still happens now, although I'm better at controlling it."

"How it's cut, who cut it, how it moves, the lining...I even like it when it's what I consider to be ugly."

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"She's legendary. There's not going to be many like her, ever."

Steven Miesel